Category Archives: Personalities

ToTC 2010: Tentative Schedule

Next week brings the 2010 edition of Tales of the Cocktail in New Orleans, and I thought I’d run down some of the events I’m planning to attend. My calendar’s booked pretty solid this year, although I have a bit of downtime near the beginning. I booked my sessions back in March, when I was a working bartender, so bear in mind that some of my choice had a lot to do with bringing cocktail ideas back to a restaurant bar. I could be upset about that, but as John Lennon wrote, “Life is what happens to you while you’re busy making other plans.”

Onward. Some of this is subject to change. Most of the seminars are solid, but I might try to move one or two around if I can.

Two years ago, I arrived on Wednesday and left Sunday morning, thus missing one of the seminars I was most interested in, St. John Frizell‘s look at the life of Charles Baker. (He adapted his talk into an article for the Summer 2008 issue of Oxford-American magazine, fortunately, and the text of the piece is online at St. John’s website.) This year, I’m staying through Sunday and leaving Monday morning, also ass-early. Look for my bleary-eyed mug at MSY.


  • Get up ass-early for a 6:30 flight from Providence to O’Hare. After an hour-and-a-half layover, it’s off to Louis Armstrong Airport.
  • Cab to the Hotel Monteleone, where I’ll be crashing out for the week.
  • Probably grab a po-boy and then hit the Tales Tuesday Tasting at d.b.a. that afternoon, which I’m eager to do. I love the d.b.a. bar in New York’s East Village. I would sometimes take an afternoon off work and repair to d.b.a.’s patio with a beer, a good book, and a cigar. I’ve never been to the NOLA d.b.a., and I’m looking forward to it.
  • Then, it’s back to the Quarter for the Tales Blogger reception. Then dinner, somewhere. Not sure yet.


  • First up, one of my working-bartender choices: Liquid Disc Jockey – Controlling the Flow of Any Room. I will probably try to switch out of this, maybe attend Camper English’s seminar on presentations which is at the same time.
  • Next up, the Beefeater Welcome Reception. The 2008 version was off the charts in terms of the amount of food served, so I plan to stuff the heck out of my face.


  • Busy, busy, busy. First up, Botanical Garden, Charlotte Voisey’s look at the use of botanicals in distillation. Another event chosen to enhance my skills behind the bar. This one, though, I’ll keep because it sounds great, even to someone who’s “just” a writer/blogger. Using seasonal herbs and other ingredients in cocktails is my “beat” at Edible Rhody, so I hope to learn a lot that I can bring to the magazine.
  • Then, At Full Sail, the look at overproof spirits with Audrey Saunders and Eric Seed. This one will be popular, I know.
  • After that, Umami in Cocktails, moderated by my friend Darcy O’Neil. Again, a professional-bartender choice, but again, one I’ll keep because I like the topic and it’ll give me writing ideas.
  • Then, another private event, one I hope to be writing about post-Tales.
  • Spirited Dinner will probably follow, although I’ve made neither choice nor reservation.



  • My big moment: Rolling Out the Red Carpet for Rookies. Assuming I don’t stroke out first. I get to share a seminar with the Robert Hess who isn’t my father-in-law? Damn.
  • Blair the Bear’s Tiki Now! I think this one’s close to selling out.
  • Paul “The Godfather” Clarke’s Art of the Aperitif. Great topic for Tales.
  • Then, I’ll probably disco-nap prior to the Bartender’s Breakfast at midnight.


  • A light schedule. Dale DeGroff’s Cognac panel to start…
  • Followed by the Sprezzatura Bartender panel. I want to get the cut of Vadrna’s jib.
  • Then probably just a few last drinks at Carousel with any other stragglers.


  • MSY > CLT > PVD > bed for a week.

Seminar Preview: Rolling Out the Red Carpet for Rookies

Rookie. Newbie. Freshman. Dare I say, virgin? Cocktail enthusiasm continues to grow in the United States as more and more people are developing an interest in craft cocktails. Cocktail bars are spreading across the country, and there are even brick-and-mortar stores now that sell cocktail equipment and tools. So, say you’re a bartender and it’s a slow night. You’ve got a patron across from you who’s finishing up her beer and puzzling over your cocktail menu. “I don’t really know much about cocktails,” she says. “What do you recommend?”

So, hotshot. What do you recommend? And if this patron becomes a regular at your bar, diving fully into the cocktail ocean, how do you help her navigate the shoals?

Tales of the Cocktail 2010 represents a first for me: I’ll be moderating a seminar called Rolling Out the Red Carpet for Rookies.” My fellow presenters–Robert (DrinkBoy) Hess, Adam Lantheaume of the Boston Shaker in Somerville, Mass.–and I will lead a discussion of techniques and tips bar professionals can use to teach the world of cocktails to customers. Whether you’re a bartender, bar manager, brand ambassador, spirits writer, or other bar professional, we hope to have ideas you can use to turn a patron into an aficionado.

Robert will discuss his book, The Essential Bartenders Guide, as well as his work at Small Screen Network, producing video tutorials of cocktail recipes and techniques. Adam will describe the classes he teaches in his store and lead a demonstration of a technique he uses in his Bitters class, in which he provides a flight of martinis, each made with different bitters. We’ll all discuss our own journey from novice to knowledge, we’ll talk about cocktail mentors and gurus, and talk about perfect starter cocktails for newbies. And we’ll take questions and ribbing from the audience. It’ll be a good time, so join us.

Rolling Out the Red Carpet for Rookies
SAT, 24 JULY 2010
La Nouvelle Orleans Ballroom, Hotel Monteleone
10:00 AM – 11:30 AM
$40 (advance), $45 (door)

Martini Project: DeVoto Edition

The martini: easily the most-often mixed drink in our household, and the one I have the most fun playing with. As Paul “Birthday Boy” Clarke pointed out recently on Serious Eats, it’s a much more flexible drink than people give it credit for. With the explosion of the gin category in the last few years, there are now many expressions of the martini’s base to experiment with. Vermouth, however…

Until recently, most elbow-benders didn’t have much choice in the vermouth market. You could find Noilly Prat, Cinzano, and Martini & Rossi just about anywhere. If you were in a larger market, you could probably Boissiere and Stock, as well. In the last couple of years, though, that’s changed. I won’t say the category has exploded, but some excellent new vermouths are on the market now, and if you can find them, you’re in for a treat–Vya and Dolin immediately come to mind.

Further, if you expand your definition of martini to include a drink mixed with other fortified wines or aperitifs–sherry, Lillet Blanc, Cocchi Americano, or Bonal Gentiane-Quina, for example–you open up for yourself a number of new avenues for combinations. Until early this year, however, my options in Rhode Island were rather limited. Now, though, the Haus Alpenz portfolio is available to us, and I already have several nearby stores that carry the line of Dolin vermouths. (And I’m working them on the Americano and Bonal.)

With that in mind, it’s time to start playing. The game is, here, I’ll be mixing up various variations on the martini–different proportions, different ingredient combinations, etc. I want to get to a point where I can say, “Hey, I really like Bonal with Plymouth, and I also think Dolin’s the perfect partner with Tanqueray.” (These are just examples, of course; I’ve never mixed them that way yet.)

I’ll begin by tackling the De Voto recipe that Paul mentions in his SE column. In his newly reissued (and handsome) book The Hour: A Cocktail Manifesto, first published in 1948, the author and literary critic Bernard De Voto wrote of the martini that …

[t]here is a point at which the marriage of gin and vermouth is consummated. It varies a little with the constituents, but for a gin of 94.4 proof and a harmonious vermouth it may be generalized at about 3.7 to one. And that is not only the proper proportion but the critical one; if you use less gin it is a marriage in name only and the name is not martini. You get a drinkable and even pleasurable result, but not art’s sunburst of imagined delight becoming real. Happily, the upper limit is not so fixed; you may make it four to one or a little more than that, which is a comfort if you cannot do fractions in your head and an assurance when you must use an unfamiliar gin.

Now, most people would probably skip the 3.7 nonsense and go right for the 4:1 measure. After all, that’s easy. If you’re stirring for two, that’s 4 oz. gin and 1 oz. vermouth. For one person, it’s a snap to halve that. But how do you measure 3.7 or 7.4 or 1.85 ounces of anything? I always hit that roadblock and never went farther.

But I’ve been reading one of De Voto’s contemporaries lately, the gourmet, railroad aficionado, bon vivant, boulevardier, and long-time newspaper columnist Lucius Beebe. He wrote of a 1963 trip to Boston, in which he luncheoned in the private Union Club. He writes of their martinis that they’re “magnificent” and mixed “precisely according to the immutable formula laid down by the late Bernard De Voto.”

So to hell with it. I’m a geek, there’s gotta be a way to hack this. I remembered my digital kitchen scale. I placed a mixing tin on the scale and zeroed out the weight. Then I carefully poured 37 grams of water into the tin. That’s a little over 1-1/4 oz. but not quite 1-1/3. Okay, I could work with that. Take 37 grams of gin, 10 grams of vermouth; then it’s simply a matter of scaling that up to make two cocktails. I still needed the digital magic machine to get the right measure, but fine. Anything for you, dear ones.

De Voto Martini for Two

  • 148 grams gin (I used Bombay, which isn’t quite up to De Voto’s standard of 94.4 proof, but it was good)
  • 40 grams Dolin dry vermouth
  • lemon twist, for garnish (upon which De Voto simply insists)

Stir, dammit. Garnish.

Prior to dilution, that comes out to 188 grams or approximately 6.63 oz. for two cocktails. Just about perfect for my glass size, with a little left in the mixing glass. Now, an Imperial variation.

De Voto Martini for Two, Imperial

  • 5-1/2 oz. gin
  • 1-1/2 oz. vermouth
  • lemon twist

Stir, dammit. Garnish.

That’s not quite to the 3.7 standard, but it’s as close as you’ll probably come with traditional bar measures. That gives you 7 oz. of martini, prior to dilution, for a ratio of 3.66667 to 1.

And now even I’m weirded out by the geekery of this post.

DISCLAIMER: I was sent a review copy of The Hour.

Quick, Robin, to the Liquidlab!

Two weeks ago, I was in the Riverdale section of da Bronx, getting all mad scientist in Junior Merino‘s Liquid Lab. Junior’s a consultant and former bartender who created the Liquid Lab in a Riverdale apartment, as a facility where he can create and test new recipes for cocktails and food flavored with spirits. The Lab is stocked with thousands of bottles of spirits, liqueurs, mixers, and bitters–many of which are otherwise unavailable in the United States.

Gird Your Belly!

Junior’s wife, Heidi, had warned me in advance that I needed to start my day with a hearty breakfast, to provide a base for all the spirits and cocktails I’d be tasting. So after a hearty repast, I caught the subway up to the Bronx. When I arrived at the Lab, I met my fellow attendees: bartenders from Drink and Craigie on Main in Boston, and drink slingers from Hotel Delmano, Pranna, and Eleven Madison Park in New York. Rounding out the group was Village Voice writer Chantal Martineau, who’s beaten me to the roundup scoop, with her writeup here. We signed a release form (no photography or video allowed, which is why I have no pix of my own here), donned lab coats, and got ready to go.

The Gang

All photographs are the property of The Liquid Chef Inc. and are used with permission.

First up, though, was a true breakfast of champions: punch-spiked cereal. Talk about yer basic snap-crackle-burp!

Aroma Architecture

Next, Junior launched into a section he called Aroma Architecture. He passed around various herbs and greens, and urged us to sniff and taste each one, to think about using their flavors in cocktails, and also to think about how similar flavors come through in the taste of certain spirits. Some of these herbs are relatively common cocktail ingredients–mint, sage, dill, hibiscus. Others were surprising, but upon tasting them in this context, I could start to make some connections between my salad plate and my mixing glass; among these were baby chard, baby kale, carrot greens, borage, and pea shoots. When we started down this road, I knew I was in for a great time at the Lab because I knew I’d be tasting new flavor combos all day long.

Willy Wonka Cocktailing

Then we got into the heart of the Lab. Now, if you’ve never been, let me explain how it works. Junior secures sponsors for each Lab, for both base spirits and liqueurs. Each Lab is broken into five flights and mixing sessions. For each flight of base spirit, you blind-taste five examples of that spirit and discuss the flavors and aromas with Junior and your fellow participants. So, for example, you taste five piscos or five gins. Then you get to mixing with that base spirit.

The rules of the Lab are, you make two drinks per base spirit. Each of your two drinks must include the sponsor’s product, plus at least one of the sponsor liqueurs. Any other ingredients are your choice, using any spirit, liqueur, herb, spice, bitter, syrup, salt, or garnish that Junior has available. You mix up one drink, divvy it up among nine tiny cups, and distribute those out to Junior and the other guests (leaving one for yourself, of course).

The Lab!

That’s a Lotta Cocktails!

How many? Let’s rock some mathemagics now. For each base spirit, you’re mixing two cocktails, which means that over the course of the day, you’re creating 10 new cocktails. Eight other people in the room are mixing 10 drinks a piece (including Junior), and you’re tasting every single cocktail. Including your own drinks, that adds up to 90 cocktails. Zam! Now, each taste is only about half an ounce, but that still means, if you actually drink each one instead of just taking a sip, you’re consuming about 45 ounces of cocktail over the course of a day. That’s roughly 15 full-size drinks. Luckily for us, we had ample supplies of bottled water, but now you see why Heidi urged us all to have a large breakfast first.

Tipsy & Overwhelmed

Our base spirits, in order, were pisco, cachaça, rum, tequila, and mexcal. In each category, Junior had bottles of the spirit on its own, and he had several infused bottles. You could choose to use the plain spirit or one (or more) of the infusions. I wish I could tell you what I mixed up for these spirits, but I simply can’t remember, and it wouldn’t matter anyway because to be honest, my drinks weren’t that good. The thing you have to understand is that the Lab is fast-paced; I mean lightning fast. I was around professional bartenders here, who serve some of the top restaurants and bars in the Northeast.

In a very short time, we had to choose between the plain spirit and the infused options (tasting if you wished before you decided), then choose the liqueur, and then track down a third ingredient and anything else we wanted in there, and not just once, but twice. For an amateur, it was a challenge. I tried to get creative; I was grabbing bottles and herbs and whatever, just to see what worked together and what didn’t. Tequila, coca liqueur, and ginger-hibiscus syrup, with muddled electric Szechuan buttons? Why the hell not, what have you got to lose? (A bartender from Eleven Madison teased me at one point: “Why not use that? No one likes your drinks anyway.” At least, I think she was teasing.)

The Lab

But when I said my drinks weren’t that good–well, I don’t really know whether they were or not. It was a little beside the point, in a way. I mean, yeah, you want to make good drinks whenever you pick up a shaker. But often the cost of creating a really great drink is mixing your way through many bad ones first, until you find the right notes. I do know that at one point, I was playing with the tequila, and I paired it with Combier triple sec and something else. I realized the balance was off and added lime juice. Then I smacked myself in the head when I realized I had reinvented the fucking Margarita. Dammit!

My problem was, I was a little cowed by the talent around me, and I was letting it get to me, and starting to play it safe. After the fucking Margarita, I started taking chances again and having more fun as a result.

It’s Not Just About the Drinks, Though

At one point, Junior passed around plates of edible cocktails, and these were fun and surprising:

  • Macchu Pisco sour marshmallow
  • Siembra Azul tequila and Combier Liqueur D’Orange gummy
  • White chocolate, Castries Peanut Rum Creme, Chairman’s Reserve Rum, and Domaine de Canton truffle
  • Leblon cachaça and Vita Coco coconut-water popsicle

The truffle, of course, was amazing, but I think my favorite “edible” was the pisco-sour marshmallow, which really captured the essence of a pisco sour. Lunch, served I think after the cachaça round, was an amazing spread of booze-infused food. Here are just a few examples:

  • Tuna Lollypop: sushi grade tuna, marinated in whiskey that has been infused with pinepeppercorns, some asian spices, herbs, and grenache vinegar. Served with a cube of watermelon and topped with Koppert Cress Basil Cress.
  • Guava Chipotle BBQ short ribs: short ribs braised for 12 hours in herbs and cinnamon, and dressed with a bbq sauce made with guava, chipotle, and Chairmans’s Reserve Rum infused with vanilla and other spices. Served with a cipollini onion roasted with Royal Combier and topped with Koppert Cress Atsina Cress, that has light licorice notes.
  • Elotes: traditionally a staple in Mexican households, this dish is made by cooking ears of corn, then smothering it in a homemade Scorpion Mezcal aioli, queso cotija (aged dried cheese), and powdered chipotle pepper.

The Feast

Traditionally, Junior and Heidi then take everyone out for dinner and drinks. We wound up in the Bar Room at The Modern, a Danny Meyer restaurant connected to the Museum of Modern Art. This was a little heady for me, since the only other Danny Meyer place I had ever dined at was Shake Shack! Coincidentally, I was in the middle of Meyer’s book, Setting the Table, which covers the role of hospitality in business, so it was fun to both talk to the Eleven Madison bartenders about his book, and also see his concepts in action at The Modern. Everyone was pretty wiped out after dinner, so we chose to eschew the post-dinner cocktail round.

Was It Worth It?

Oh, hell yes. I’d do it all again if they’d let me, but I know they need to spread the joy around to many other bartenders. I took a lot from this day of creativity and rabble-rousing. First, as I said earlier, I loved sampling all the various herbs and thinking about creative ways to use them in drinks. Next, just being in the room with such talented and witty people was energizing. It made me really want to try to push my own ingenuity forward. It was also nice to see that nearly every bartender turned out at least one dud. Why wouldn’t that happen? You’re trying crazy new ideas, and not all of them are going to work. Finally, the day was just fun. Junior and Heidi kept a good, positive spirit flowing in the Lab and made it a really great experience.

I’d recommend Liquid Lab for anyone in the spirits industry; it’s that good.

Carla Bruni

carlabruniEvery Thursday night, the cats at the Mixoloseum host a chat-room event in which folks get together to share original drink recipes. Cunningly named Thursday Drink Night, this event draws a good crowd each week. This past week’s Thursday Drink Night was sponsored by Martin Miller’s Gin. Now, I’ve written about Miller’s before. It’s a delicate, pot-distilled gin with notes of citrus and cucumber. It’s a favorite at Chez Dietschyblossom, and I love mixing with it.

I don’t often participate in TDN. Usually, Jen and I are catching up on our day right when it tips off, but because of the Miller’s theme, I wanted to participate last week. We had bought some beautiful flowering thyme from the farmer’s market, and I chose to infuse some of it into a small bit of the Miller’s. If you don’t want to take the time for thyme, you can get a similar effect by either muddling a couple sprigs of thyme into the mixing glass, or rubbing it against the inside of a chilled cocktail glass, to release its oils, before pouring the drink into the glass.

I hate naming drinks; coming up with something original is usually difficult. However, I’ve mentioned before that I think naming drinks for famous people is a “great and longstanding tradition” and it’s one I chose to uphold. Who better than the singer, songwriter, former model, and current French first lady, Carla Bruni-Sarkozy? (By the way, if you’ve never heard her sing, and I’ll bet you the first round you haven’t, you should. She’s got a smoky, torch-singer voice.)

(drink photograph by Jennifer Hess)

Carla Bruni

2 oz. thyme-infused gin
¾ oz. Lillet
2 dashes maraschino
2-3 dashes absinthe (be very careful with this, lest you overwhelm the drink)
Thyme sprig, for garnish
Lemon peel, for twist

Stir over cracked ice, strain into chilled cocktail glass, twist lemon peel over surface of drink and discard, and garnish with a thyme sprig. Sip while enjoying this video of Carla Bruni singing her own song, “L’Amoureuse,” from her third album, Comme si de rien n’était.

Vintage Spirits is re-go-go!

Exciting news! The seminal cocktail guide, Vintage Spirits and Forgotten Cocktails, enters into a new edition on July 1. Or, just because it’s fun, let me provide the full title:

Vintage Spirits and Forgotten Cocktails: From the Alamagoozlum to the Zombie and Beyond. 100 Rediscovered Recipes and the Stories Behind Them

That alone gives you some idea what to expect. Drinks you’ve never heard of. Drinks you have, without knowing what’s in them, or what the classic recipe is.

Preorder your copy today!

Author is Ted Haigh. By day, he’s a graphic designer for the talking picture show.  He’s worked for Superman and John Adams; for samarais and snickets; for gangsters, vampires, and spies. By night, he’s Dr. Cocktail, historian, raconteur, and bon vivant.


Vintage Spirits is a legendary book among cocktail geeks. It has been out of print for a couple of years now, and I’m among the fools who don’t own the first edition, so it’s legendary in part for being so elusive. More than that, though, it’s legendary for introducing readers to defunct spirits. Or, should I say, no longer defunct spirits. To name only one example, the book discusses a liqueur called crème de violette, a delicate liqueur made from violet petals and a staple ingredient in such drinks as the Aviation and the Blue Moon. Crème de violette, however, has reentered the market since Doc’s book premiered, in no small part because of Doc’s attention and the laments of serious bartenders everywhere.

But, if I may, there’s another reason I’m excited about the book.

I’m a small part of it.

Ted contacted a few folks who’ve helped spread cocktail love across the Internet and asked whether we’d consent to an interview. I, no fool, said yes. I’m flummoxed and flattered that Ted asked for my participation, and was very happy to help. I can’t wait to see my copy of the book, and I’m sad that I won’t get to see Ted next month to thank him personally and get his autograph.

Happy New Year!

As promised/threatened, I made the Ford Cocktail that Ted “Dr. Cocktail” Haigh recommended on NPR’s Weekend Edition Sunday. Doc said to Liane Hansen that this is a drink he wants to revive in 2009 and rightfully so. It’s delicious. He describes it as lovely and beautifully balanced, and once again, the doctor’s prescription is right on the money. I’m happy to do my part.

Although the only source Haigh mentions is “an 1895 book,” I was able to uncover it with my fancy Google fu–George J. Kappeler’s Modern American Drinks.

Text not available

Modern American Drinks How to Mix and Serve All Kinds of Cups and Drinks By George J. Kappeler

Haigh modernized the measurements for Hansen as follows:

Ford Cocktail

  • 1 oz. gin
  • 1 oz. dry vermouth
  • 3 dashes Benedictine
  • 3 dashes orange bitters
  • Orange twist, for garnish

Technique: Stir over cracked ice in a mixing glass. Strain into chilled cocktail glass. Add garnish.

Notes: Doc didn’t actually mention the garnish to Hansen, but since it’s in Kappeler’s, I’ve added it. You can see from Jen’s photo that I used lemon. You might recall that Jen’s allergic to orange. Finally, to address the perennial question–how much is 3 dashes of Benedictine?–I dashed the orange bitters first into my measuring cup and noted the level. I then carefully measured a roughly equal amount of Benedictine.

I like to have a martini

Tonight, apparently, the Dorothy Parker Society is commemorating the 40th anniversary of the death of Dorothy Parker. Newyorkology reports there will be free gin and a reading of her works.

I’ve got a bunch of gin remnants in various bottles cluttering my liquor shelves, so this anniversary provides a great excuse for a gin tasting. But as it turns out, the date of her death is actually June 7, so we’re holding off on the tasting until then. I’ll be sure to post, but depending on how much we enjoy each gin, it might not be right away.