I came across an unusual article in the purpose of researching Shrubs. It ended up having no bearing whatsoever on the final manuscript, but I was fascinated enough by the piece that I OCR’d it, and cleaned up the inevitable typos.
Here, from the December 26, 1893, issue of the New York Sun, is an article about the various drinking establishments of Lower Manhattan, from the Battery up to about 28th Street. Be aware, some of the ethnic attitudes expressed in this piece are very much of their time. You’ll also note peculiarities of style and spelling; those are all in the original.
I seem to have forgotten to mention it here, but Carrie Allen of the Washington Post called me up recently to discuss the past, present, and future of shrubs. We talked a bit about the book (she enjoys it! neener neener, she’s seen it and you haven’t!) and discussed why shrubs are good to drink, either as a non-boozy treat or as a boozy one.
The conversation was fun, and her piece, which ran last week, captures my voice well, so I’m really delighted with it. Check it out here!
My posting frequency at SE has slipped to about twice a month these days, because BUSY. Anyway, here’s my latest.
We who love rum are very lucky people. It’s a category of spirits that offers many wonderful values—bottles that taste like they should cost way more than they actually do. You can very easily find great rums, both white and dark, under $20, and today, I’ll introduce you to a few of my favorites.
[Get the list!]
One I’m particularly happy with…
If you’re considering writing a cocktail book, you’ve probably already started doing some research about how the process usually works. You probably already know, for example, that you should start by writing a book proposal. You then take the proposal to an agent (or two or three or ten) and shop it around. The agent, if he or she loves your proposal, will take it to a publisher (or three or ten) and negotiate your advance and residuals and so on. You’ll sign a contract, and then, at some point in this crazy process, you’ll have to sit down and actually write the thing. You’ll get a little money and eventually, you’ll see your book listed at Amazon and Powell’s.
That’s how it goes, say the experts. But let me tell you a funny story….
[Click over to Serious Eats for more.]
Incidentally, I have a LOT more to say about this entire process to date, so expect to see more, either here or at SE.
I’ll have a longer post up later, with some personal reflections on what was a very delightful trip. But for now, highlights from my trip to Mexico are up at Serious Eats.
Please read it and click through the slideshow!
Note from the Author: On a recent press trip hosted by Olmeca Altos Tequila, I toured the Destileria Colonial de Jalisco to see firsthand how tequila is made.
The Los Altos highlands of Jalisco are known for their iron-rich red soil and high altitude: we’re talking about 7,000 feet above sea level. (Take that, Mile High City!) This is where Olmeca Altos tequila is produced, in Arandas, about two hours east of Guadalajara. The distillery, Destileria Colonial de Jalisco, is fairly modern, having opened in 1997 to handle production of Patron, which, thanks to a business dispute, was only briefly produced at this plant.
This one was fun, one of the times when the words started flowing and didn’t stop until I was finished writing.
Following up on last week’s discussion of the Negroni, I thought I’d take a bit of time and explore the world of bitter liqueurs. As I said then, “You hate Campari until that one moment when you love it, and then when you love it you never want your bottle to run dry.” But how does one go about learning to love Campari and, for that matter, other bitter liqueurs?
I am on the prowl now to find the best version of a Negroni that I can devise at home. I’m going to start by examining the gin. As we know, gin is a blend of neutral spirit and a mix of juniper and other aromatic herbs and spices. Some gin distillers push the juniper to the front, whereas others craft a spirit that’s more floral or citrusy. Which style of gin works best for a Negroni? I wanted to find out.
Read more, at Serious Eats.
Her apartment was in a large modern elevator building with central air conditioning. Her windows overlooked no view at all, but were large anyway. The living room was expensively and tastefully decorated, but with the sterility and lack of individuality of a display model.
“Bar over there,” she said, pointing. “Just let me get this film started. You could make me a martini, if you would.”
“Very very dry.”
She went through the archway on the far side of the room, and Parker went over to the bar, a compact and expensive-looking piece of furniture in walnut. It included a miniature refrigerator containing mixers and an ice cube compartment, and up above a wide assortment of bottles and glasses.
Parker made the martini with the maximum of gin and the minimum of vermouth, and added an olive from a jar of them in the refrigerator. For himself he splashed some I. W. Harper over ice.
— The Handle, Richard Stark (Donald Westlake)