Hey, I got a last-minute invitation to appear on tonight’s installment of Fuhmentaboudit, on the Heritage Radio Network. It’s easy to “tune in” and listen, so I hope you’ll check it out, either live or via podcast.
On the cover of Lew Bryson’s Tasting Whiskey, there’s a quote from the whiskey writer Charles Cowdery: “I shouldn’t say this is the only whiskey book you need, but it probably is.”
Mr. Cowdery’s reticence is understandable; he writes whiskey books, and he wants to maintain his comfortable lifestyle. I don’t know if I’d go so far as Cowdery. I’ve read some damn fine whiskey books in my years as a tippler, and I’d recommend them all.
But I will say this much: this is the book you want and need if you’re just starting out in whiskey.
Bryson maps the major styles of whiskey, from bourbon to rye to Canadian, from Irish to Scotch to Japanese, and from craft to the various world whiskeys (that is, from growing markets such as India and Taiwan). He describes what sets the various styles apart from one another; so, for example, he details the grains that are in each style, the barrels it’s aged in, the climates and warehouses that hold it, and the length of time its aged.
Scotch, for example, is made primarily or exclusively from malted barley; it’s aged in used barrels (normally bourbon, but with some sherry and other wine casks tossed in for additional flavor); it ages in a cooler climate that enables longer aging; and it can age for up to 30 years or more without getting too woody.
Bourbon, conversely, is made primarily from corn, with other grains in the mix to add accent flavors; it ages in new oak barrels that impart more woodiness than do scotch’s used barrels; it ages in a warmer climate that ages it more rapidly than Scotland’s cooler climate; and therefore, it usually reaches its peak at roughly 10-12 years.
Each individual style is different, and Bryson masterfully explains how those differences affect the flavors of the finished product.
Every whiskey drinker starts somewhere. I started with bourbon and moved to scotch and then rye and on to other styles. When I started drinking scotch, I couldn’t begin to understand what made it unique until I started reading books that helped me puzzle it all out. Tasting Whiskey is such a book.
Its other strength is the infographics the book uses to illustrate some rather complicated concepts. I write about whiskey, and so I know that it’s not always easy to describe, in words, the effects of barrel aging, or how barrel placement in a warehouse affects how quickly or slowly the whiskey ages. These infographics, illustrated masterfully by Andrew Heath, demonstrate these concepts concisely and thoroughly.
Excerpted from Tasting Whiskey (c) Lew Bryson. Illustrations by (c) Andrew Heath. Used with permission of Storey Publishing.
After describing the major styles, Bryson then provides advice on how to drink the stuff, in an enjoyable chapter on water, ice, and cocktails. Is it okay to drink your whiskey with a bit of water? Bryson tells you. On the rocks or neat? He has some answers for that as well. Cocktails? Of course! What I enjoyed about this chapter was how conversational and story-oriented it was. No recipes at all, just a description of how to make a damn good Manhattan or Old Fashioned.
I’ve met Bryson in person; we were in Kentucky together earlier this year for Jimmy Russell’s anniversary celebration at Wild Turkey. He impressed me with his approachable and avuncular temperament, and that personality shines through this book.
If you’re new to whiskey, and you need a friendly guide to the topic, Bryson’s book is for you. But if you’ve been around the block a few times, you’ll still find this book to be enjoyable and useful. I learned quite a bit from it.
Disclaimer: I received a review copy of this book, and Lew Bryson is a personal friend of mine.
Ever had a whisky older than you? Opportunities such as this don’t come along very often, especially as “you” get older and older and older. When I was in my 20s, for example, finding 30-year-old scotches was relatively easy and only relatively expensive. Now that I’m 45, though, finding a 50-year-old scotch is not just logistically difficult; it’s expensive by nearly anyone terms.
Case in point: the inaugural release of the Glenlivet Winchester Collection, barreled in 1964 and bottled for release this year. Want one? Sell your children; only 100 bottles are available worldwide, and each bottle will run you $25,000.
But what a bottle. Each bottle is hand-blown glass, capped with a silver stopper, and accented with gold. The bottle sits in a cabinet with a lock and a hidden key, just in case you don’t sell the kids and one of them tries to sneak a sip.
I had a chance to sample one of the 100 bottles this past Wednesday, at a dinner at Le Bernadin. Along with about 30 other journalists, I had a fantastic multi-course meal with wine pairings, punctuated by samples from the Glenlivet range: the 18, XXV (25), and 50.
All three scotches are typical of the Glenlivet style–honeyed, lightly fruity, tasting of toffee and a hint of barley malt, and only the barest, lightest hint of smoke. The 1964 was barreled in used bourbon casks, and for the age it has on it, it didn’t taste woody at all. I found that, all told, it had lighter, more subtle flavors than the 18 or XXV, though I was enjoying it after rounds of seafood and wine, and so my palate may have been a bit dulled.
All in all, this is clearly a whisky for collectors. Scotch, after all, is a luxury good, and all luxury markets have to cater to the collector segment. Glenlivet has put together a beautiful package and a tasty dram. If only I had the $25,000. Anyone in the market for kids?
I recently spoke with Kara Newman at Tasting Table about shrubs. You can and should read that here.
I also recently spoke with Paul Clarke at Imbibe magazine. Paul was doing a photo feature on shrubs, and the piece included a quote from me and a couple of my recipes. You can’t find it online, but here’s a supplemental piece on the website.
We’re currently firming up other media appearances, a radio appearance or two, and possibly some in-person events, if you want to see my mug live and up close. More to come.
Man. Every time I think humankind has created every form of cocktail bitters imaginable, someone goes and proves me wrong. New bitters brands just keep coming, some with unusual flavors and others with delicious variations on classic styles. I’m working my way through the growing cornucopia of cocktail bitters, sampling the wares of upstart bitterers to let you know which bottles are worth buying.
The offerings I’ve reviewed here demonstrate the creativity of today’s producers of bitters. From your traditional cherry and orange bitters to more esoteric styles such as hop and fig, here are several bottles to seek out (and a couple that are skippable).
I seem to have forgotten to mention it here, but Carrie Allen of the Washington Post called me up recently to discuss the past, present, and future of shrubs. We talked a bit about the book (she enjoys it! neener neener, she’s seen it and you haven’t!) and discussed why shrubs are good to drink, either as a non-boozy treat or as a boozy one.
The conversation was fun, and her piece, which ran last week, captures my voice well, so I’m really delighted with it. Check it out here!
My posting frequency at SE has slipped to about twice a month these days, because BUSY. Anyway, here’s my latest.
We who love rum are very lucky people. It’s a category of spirits that offers many wonderful values—bottles that taste like they should cost way more than they actually do. You can very easily find great rums, both white and dark, under $20, and today, I’ll introduce you to a few of my favorites.
The dudes at Hella Bitter have been busy dudes. They’ve designed a cool looking kit that you–yes, YOU–can use for the purpose of making bitters at home. In this kit, you’d find two infusion blends–a citrus spice blend and an aromatic blend–plus infusion jars, dropper bottles, a funnel, and a mesh strainer.
This might not be the thing for diehard bitterheads; most of you probably already make your own shit already anyway. But it would be a great gift for someone just getting into cocktails, or if you yourself are just getting into cocktails, it would be a great self-gift to give yourself for being such an awesome self.
One I’m particularly happy with…
If you’re considering writing a cocktail book, you’ve probably already started doing some research about how the process usually works. You probably already know, for example, that you should start by writing a book proposal. You then take the proposal to an agent (or two or three or ten) and shop it around. The agent, if he or she loves your proposal, will take it to a publisher (or three or ten) and negotiate your advance and residuals and so on. You’ll sign a contract, and then, at some point in this crazy process, you’ll have to sit down and actually write the thing. You’ll get a little money and eventually, you’ll see your book listed at Amazon and Powell’s.
That’s how it goes, say the experts. But let me tell you a funny story….
Incidentally, I have a LOT more to say about this entire process to date, so expect to see more, either here or at SE.
If you ever visit the Wild Turkey distillery, do yourself a favor and arrive from the east. As you approach the distillery, U.S. Route 62 descends a hill through lush green woods, passes over a quarry on the banks of the Kentucky River, and takes a sharp left before riding the Blackburn Bridge over the river. As you approach the bridge, you can see buildings on a ridge in the near distance. These are warehouses and distillery buildings at Wild Turkey. Just beyond the highway bridge stands the remains of a railroad bridge, 283 feet above the river. The rail bridge is now out of service, but it formerly carried freight and passengers on what became the Norfolk Southern Railway, connecting all the Southern states. Passenger traffic ended in the 1930s, and freight stopped traversing the bridge about 50 years later, but for a time, the bridge carried grain into the Wild Turkey plant and finished bourbon back out.
I visited a couple of weeks ago. The purpose was twofold. Wild Turkey is opening a beautiful new visitors’ center, with stunning views of the river and its bluffs. The center itself is made of wood and glass, as you’d probably expect from a bourbon distillery. I failed to get a good exterior shot of the building, but it’s described as a cathedral to bourbon, and as you view the soaring ceilings, you’d probably agree.
In the tasting room is a large copper still that spans both floors of the visitors center, pulled out of production when the old distillery was torn down.
As impressive as all that is, though, the other reason for the visit is even better. 2014 marks master distiller Jimmy Russell’s 60th year at Wild Turkey. Can you imagine spending 60 years in one place? Jimmy can, and even after 60, he has no plans to retire.
Our visit ended with a cocktail reception, to launch the visitors center and pay homage to Jimmy. Among the VIPs were Kentucky governor Steve Beshear and brand reps and master distillers from other bourbon plants, including Four Roses, Heaven Hill, and Woodford. The bourbon industry is pretty tight, and less personally competitive than you’d expect, so a guy like Jimmy has fans at rival distilleries. Jimmy’s family were there. His son Eddie is his right hand at Wild Turkey, even though Eddie only has 33 years tenure there and is still a relative novice compared to Dad. Jimmy’s other offspring were there, along with his grandkids and a few great-grandkids.
I felt honored being among his family and friends on such a great occasion. I’ve always loved Wild Turkey 101; it might be my favorite American whiskey. Being there for this celebration was a real treat.
We took a lengthy tour of the distillery. Those notes and photos will follow in another post.