All posts by Dietsch

Shrubs on ABC’s Shark Tank

This is interesting.

ABC has a reality program called Shark Tank. I’ve never seen it. Apparently, the idea is that, if you have an idea for a business, you can pitch it to the show, and if the producers feel it has merit, they’ll bring you on and you can pitch the idea to a team of “sharks,” or hard-hitting business tycoons who will decide whether to fund your company.

The season premiere is this Friday, September 25, and it features the McClary Bros. line of drinking vinegars. I’ve had their shrubs, and I’m excited to see that shrubs will get some prime-time attention.

I also have a mercenary motivation for this post. I want people to search online for “Shark Tank” and “drinking vinegars” or “shrubs” or “McClary” and find this page. I want them to click this link: Buy My Books. And then I want them to buy my book. It’s a simple idea, really. Can you blame me?

Not at Tales this year

A few people have asked, so …

Yes, it would have been great to sign copies of SHRUBS down there this year. A few things stood in the way:

  • Money — we don’t have much right now.
  • Time off — Jen has taken a bunch of time off so I could do other travel this year. She doesn’t have enough time accrued at the moment to allow her to stay home with the kids right now.
  • Second manuscript — This is the biggy. My second ms is due September 1. I’ve set a personal deadline of August 1, just so I have the month to redraft things, move stuff around as needed, and make any edits I think are necessary before my editor sees it.

If all goes as planned, my second book will be out about a month before next year’s TOTC, and therefore it might make a lot of sense to go down to sign both books for people. We’ll see how 2016 shakes out when it gets here.

Last chance to enter!!!

Leave a comment on the original entry by noon Eastern tomorrow, when I’ll pick a winner, using one of those fancy randomizer tools on the web.

GIVEAWAY: River Cottage Booze Handbook

Well, what the hell is this? I forgot there was a blog here.

The nice people at Ten Speed/Random Penguin sent me two copies of the River Cottage Booze Handbook. I’m keeping one of them because I can. I’m offering the other one to one of you lucky bastards.

It looks like this:

IF YOU LIVE IN THE UNITED STATES OF AMERICA, leave a comment and I’ll pick someone at random and I’ll send it to you. Nobody reads this blog anymore so I probably just have to toss a coin once to pick between the two of you who comment.


Review: Tasting Whiskey, by Lew Bryson

On the cover of Lew Bryson’s Tasting Whiskey, there’s a quote from the whiskey writer Charles Cowdery: “I shouldn’t say this is the only whiskey book you need, but it probably is.”

Mr. Cowdery’s reticence is understandable; he writes whiskey books, and he wants to maintain his comfortable lifestyle. I don’t know if I’d go so far as Cowdery. I’ve read some damn fine whiskey books in my years as a tippler, and I’d recommend them all.


But I will say this much: this is the book you want and need if you’re just starting out in whiskey.

Bryson maps the major styles of whiskey, from bourbon to rye to Canadian, from Irish to Scotch to Japanese, and from craft to the various world whiskeys (that is, from growing markets such as India and Taiwan). He describes what sets the various styles apart from one another; so, for example, he details the grains that are in each style, the barrels it’s aged in, the climates and warehouses that hold it, and the length of time its aged.

Scotch, for example, is made primarily or exclusively from malted barley; it’s aged in used barrels (normally bourbon, but with some sherry and other wine casks tossed in for additional flavor); it ages in a cooler climate that enables longer aging; and it can age for up to 30 years or more without getting too woody.

Bourbon, conversely, is made primarily from corn, with other grains in the mix to add accent flavors; it ages in new oak barrels that impart more woodiness than do scotch’s used barrels; it ages in a warmer climate that ages it more rapidly than Scotland’s cooler climate; and therefore, it usually reaches its peak at roughly 10-12 years.

Each individual style is different, and Bryson masterfully explains how those differences affect the flavors of the finished product.

Every whiskey drinker starts somewhere. I started with bourbon and moved to scotch and then rye and on to other styles. When I started drinking scotch, I couldn’t begin to understand what made it unique until I started reading books that helped me puzzle it all out. Tasting Whiskey is such a book.

Its other strength is the infographics the book uses to illustrate some rather complicated concepts. I write about whiskey, and so I know that it’s not always easy to describe, in words, the effects of barrel aging, or how barrel placement in a warehouse affects how quickly or slowly the whiskey ages. These infographics, illustrated masterfully by Andrew Heath, demonstrate these concepts concisely and thoroughly.

49_cAndrewHeath_StorageLocation_TastingWhiskey 60_cAndrewHeath_EvolutionofFlavor_TastingWhiskey

Excerpted from Tasting Whiskey (c) Lew Bryson. Illustrations by (c) Andrew Heath. Used with permission of Storey Publishing.

After describing the major styles, Bryson then provides advice on how to drink the stuff, in an enjoyable chapter on water, ice, and cocktails. Is it okay to drink your whiskey with a bit of water? Bryson tells you. On the rocks or neat? He has some answers for that as well. Cocktails? Of course! What I enjoyed about this chapter was how conversational and story-oriented it was. No recipes at all, just a description of how to make a damn good Manhattan or Old Fashioned.

I’ve met Bryson in person; we were in Kentucky together earlier this year for Jimmy Russell’s anniversary celebration at Wild Turkey. He impressed me with his approachable and avuncular temperament, and that personality shines through this book.

If you’re new to whiskey, and you need a friendly guide to the topic, Bryson’s book is for you. But if you’ve been around the block a few times, you’ll still find this book to be enjoyable and useful. I learned quite a bit from it.

Disclaimer: I received a review copy of this book, and Lew Bryson is a personal friend of mine.

Weekend recap

I spent my weekend on the road, taking the Acela from Penn Station up to Boston on Saturday.

I stayed with friends Friday and Saturday. On Saturday afternoon, I demoed shrubmaking and signed books at the Boston Shaker in Somerville. The weather was nice, and so there was a good amount of foot traffic past the store. We served shrub cocktails using Privateer rum and moved a fair amount of books. Successful day.

I ended the day at The Hawthorne, attached to the Commonwealth Hotel near the Fenway, and owned by Jackson Cannon, formerly of the Commonwealth’s other bar, Eastern Standard. The Hawthorne is a lovely place, very calming and comfortable, and with a stellar list of cocktails, beers, and wines.

Sunday, I took the Amtrak to Providence. I made my way up to Stock about an hour before the demo was to begin, and I walked that stretch of Hope Street for a few minutes. I used to live in Stock’s neighborhood, and so it felt a little like Old Home Week. The weather, again, was conducive to foot traffic, and we had a lot of people stop by.

At both the Shaker and Stock, I was delighted to sell copies of the book to people who had never previously tasted shrubs. Talking to these folks and then signing books for them were quite fun, and it’s really gratifying to know that the book is reaching new audiences for shrubs.

Here’s a tip I probably shouldn’t share, regarding taking the Amtrak from Penn. At present, Amtrak does a really stupid thing to its riders at Penn and a few other stations. When a Northeast Regional or an Acela Express arrives at Penn, Amtrak announces the track number and then makes everyone line up to go down to the platform level to board the train. So what always happens is, Amtrak announces the track, and a giant knot of people surges toward the escalator down to the platform. I avoid this mess these days by asking for a red-cap, a porter who helps with baggage and gets passengers down to the platform level before the official announcement. So by the time the knot of people has surged down the escalator, I’m seated and ready to roll.

Just a quick reminder, I’ll be on A Taste of the Past, hosted by culinary historian Linda Pellacio, today at noon (eastern time) on Heritage Radio. Listen to the live stream at noon, or listen to the podcast at your convenience.

Sipping Scotch in Sophistication

Ever had a whisky older than you? Opportunities such as this don’t come along very often, especially as “you” get older and older and older. When I was in my 20s, for example, finding 30-year-old scotches was relatively easy and only relatively expensive. Now that I’m 45, though, finding a 50-year-old scotch is not just logistically difficult; it’s expensive by nearly anyone terms.

Case in point: the inaugural release of the Glenlivet Winchester Collection, barreled in 1964 and bottled for release this year. Want one? Sell your children; only 100 bottles are available worldwide, and each bottle will run you $25,000.



But what a bottle. Each bottle is hand-blown glass, capped with a silver stopper, and accented with gold. The bottle sits in a cabinet with a lock and a hidden key, just in case you don’t sell the kids and one of them tries to sneak a sip.

I had a chance to sample one of the 100 bottles this past Wednesday, at a dinner at Le Bernadin. Along with about 30 other journalists, I had a fantastic multi-course meal with wine pairings, punctuated by samples from the Glenlivet range: the 18, XXV (25), and 50.

All three scotches are typical of the Glenlivet style–honeyed, lightly fruity, tasting of toffee and a hint of barley malt, and only the barest, lightest hint of smoke. The 1964 was barreled in used bourbon casks, and for the age it has on it, it didn’t taste woody at all. I found that, all told, it had lighter, more subtle flavors than the 18 or XXV, though I was enjoying it after rounds of seafood and wine, and so my palate may have been a bit dulled.

All in all, this is clearly a whisky for collectors. Scotch, after all, is a luxury good, and all luxury markets have to cater to the collector segment. Glenlivet has put together a beautiful package and a tasty dram. If only I had the $25,000. Anyone in the market for kids?